MOST PLACES, you can choose half-a-dozen ways to drive from any point A to any point B. In London, I could make the five-minute drive from Clapham to Balham for a fortnight and never take the same route twice. In tiny Barbados, drivers have even greater choice. In the heavily-populated areas of Trinidad, however, no matter where you start or finish, you have to use one or more of the same half-dozen major roads.

Today’s Number One Film:

*No Country for Old Men, 7.30pm Paramount Channel.Watch this if you liked Apocalypse Now,The Three Burials of Melquiades Estradaor any film by Sam Peckinpah. Part thriller, part Western, as upsetting as it is intriguing, this modern-day drug money heist flick is Cormac McCarthy’s bleak 2005 novel brought to life. It was a natural fit for the Coen Bros’ dark humour and deadpan violence, but it is so overwhelmingly hopeless

Today’s Number One Film:

Inception, 10.29am HBO Plus BEST FILM OF THE DAY. Watch this if you liked Shutter Island, The Matrix or Pan’s Labyrinth. With Best Cinematography, Best Sound Editing & Mixing Oscars and Best Director, Screenplay, Music, Special Effects & Best Sci-Fi Film Saturns, the most imaginative American film since Adaptation

Today’s Number One Film:

*Arrival, 2.40pm HBO Plus BEST FILM OF THE DAY. Watch this if you liked Close Encounters of the Third Kind, Ex Machina or Inception. The French Canadian director who made us all sit up and take notice in 2010 with his first feature film, Incendies, and then rocked us back in our chairs in 2013 with Prisoners, and then bowled us right firetrucking over in 2015 with Sicario returned in 2016 to make us do all three in the same film – just much more slowly. It is perhaps not a film for everyone –

Today’s Number One Film:

Moonlight, 5.20pm HBO2 BEST FILM OF THE DAY. Watch this if you liked Tangerine, Lady Bird or The Florida Project. Winner of the Best Picture, Best Supporting Actor and Best Adapted Screenplay Oscars and BAFTAs, the Best Picture Golden Globe and Best Picture, Director, Supporting Actor and other African-American Film Critics Association, Moonlight has a near-perfect score of 99/100 on www.metacritic.com, the most reliable online film criticism site, for the very good reason that it is a nearly perfect film: when your critics are forced to quibble about your three-part film being episodic, they’re genuinely clutching at straws